— ROGERS

Archive
March, 2008 Monthly archive

This is a very interesting (100 minute!) panel discussion featuring various computer graphics industry legends (details below), who pretty much have the Bay Area and Pixar in common… anyway, this is not a super-tech, jargon-filled discussion – rather it is more like an oral history of computer graphics.

[Recorded May 16, 2005]
Brad Bird, Writer/Director, The Incredibles, Pixar Animation Studios, Ed Catmull, Co-Founder and President, Pixar Animation Studios, Alvy Ray Smith, Co-Founder of four centers of computer graphics excellence (Altamira, Pixar, Lucasfilm, New York Tech) and a Microsoft Fellow, Andrew Stanton, Writer/ Director, Finding Nemo, Pixar Animation Studios , and Michael Rubin, Moderator, Author of Droidmaker: George Lucas and the Digital Revolution

My first real computer was the Commodore Vic 20. I did have contact with computers before that (mainly Apple II’s at friends houses), but I was excited enough to spend a large part of my Saturday mornings in 1982 typing—via hunt-and-peck—small programs from magazines. Mainly they were games and mainly they didn’t work. “Syntax Error” was the bane of my life. When something did work, the computer graphics usually consisted of an “@” or a couple or greater-than symbols,or anything else you could find on a keyboard. It did, however, teach me to type.

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I can’t remember where I saw the link to this… but it is a great way to share mix-tapes. Something to listen to when you are hard at work creating images: Muxtape. Created by photographer, Justin Ouellette or Chromogenic, who is in my flickr stream… maybe that’s where I saw it… it’s a small world…

It’s such a good idea that it will probably get stomped all over by the “recording industry”… but what a brilliantly simple concept. Mix tapes create relationships, save lives, and clutter top drawers. I hope this site survives!

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I was wondering when this would happen, while there have already been a few, this auction is for a “soon to ship” RED One body (the idea being you can skip the waiting list… a bit like those people that stand in line for you at Disneyland!) Check it out here. One day to go…

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Kubrick — via Bagelturf — shooting in candlelight using a modified Zeiss f/0.7 lens originally intended for spy satellites. I don’t think I saw the f/0.7, but I am pretty sure the f/1 Zeiss he had modified to mount onto a Mitchell camera was at the Kubrick exhibition in the ACMI (Melbourne) last year. There is an extract from American Cinematographer about it at Visual Memory (they also have a trove of additional Stanley Kubrick archives).

Current fast lenses include the Leica Noctilux-M 50mm f/1, VFX Supervisor Tommy Oshima has one… as do quite a few others… current version is $6k USD new. There is also the discontinued Canon EF 50mm f/1.0.

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I did this as an exercise to see whether printing a book would be better than doing separate 8×10’s of some shots… well, at least it started that way. Then I got carried away… and now a lovely 8×10″ 30 40 page book. You can get it here and you can preview the insides here: Echo/1 China.

From Guilin in the south of China, to the Inner Mongolian Grasslands, Beijing and Shanghai. It is the off-set view of a rather epic 3 week Olympic shoot…

I’ve convinced myself to do a series (hence the Echo/1 title). In case you were wondering, an echo is “the persistence of sound after the source has stopped.” Much like looking back at a photo, an echo of light.

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