Blowing dust

A smattering dust can really ruin a good scan. Watching the local film processing guy drop your neg on his putrid floor (imbecile!) can raise your blood pressure faster than you can say C41!

So I’ve been having problems with little smatterings of dust on most of my scans. And the scanner I use doesn’t have Digital ICE (it’s an old Minolta - keepin’ it real). After using a few of the available software-based anti-dust systems out there, I remained unconvinced. On the discussion boards, people were saying to do it by hand. For bigger bits, sure, but a billion tiny grains…?

I decided it was simple to do better. I wrote (in the loosest sense) a Photoshop action which reduces dust, but doesn’t remove all the grain from the photo.

It is does all this with a difference matte made from the original (dusty) image, and a version that has been run through the Photoshop Dust & Scratches filter. Old school like.

It aint fancy. (download after the jump)

More RED

RED announced the following new cameras, which I am sure will be dissected and analysed (and changed) over the next year or so. Release in 2009:

SCARLET - 3k resolution, supposedly under $3000; 2/3 sensor; fixed lens 8x T2.8 zoom. http://www.red.com/nab/scarlet. More information here. And a off the floor video via Videomaker:

EPIC - 5k resolution, ~$30,000; […]

Cambridge in Colour tutorials

This is an excellent digital camera theory primer.
Cambridge in Colour

Counting the beat…

FRAMES AND TIMECODE
With everyone getting into a lather over DI, it is worth bearing in mind that when you have material on tape (or Quicktime) and edit it offline using timecode… then your data (DI material) needs to be matched back to that same timecode when you do the online conform.
You would think that this is obvious, […]