RED announced the following new cameras, which I am sure will be dissected and analysed (and changed) over the next year or so. Release in 2009:
SCARLET - 3k resolution, supposedly under $3000; 2/3 sensor; fixed lens 8x T2.8 zoom. http://www.red.com/nab/scarlet. More information here. And a off the floor video via Videomaker:
EPIC - 5k resolution, ~$30,000; […]
It is interesting when you are scouring on the web for the newest thing™—be it the RED camera, or anything else—that so many reviews are now done by new owners writing on their own blogs. Some of them write excellent appraisals, some of them don’t. “Traditional media” reviews can be much the same; but usually […]
I was wondering when this would happen, while there have already been a few, this auction is for a “soon to ship” RED One body (the idea being you can skip the waiting list… a bit like those people that stand in line for you at Disneyland!) Check it out here. One day to go…
I was searching for more documentation on the REDLog and PDLog LUTs* this evening, particularly so that we could get more precise input/output from our Nucoda FilmMaster for RED-to-film tests. In this case I want to convert RED Raw (R3D) footage to dpx, import that into our FilmMaster without losing any information, and then export […]
One of the implications of moving from film capture to digital capture is that images tend to have a different “depth” or “presence”. This is probably because of the way light scatters through layers of emulsion as opposed to the way it hits a cold, hard, digital sensor.
I’m not referring to sensor crop, or any other […]